March 3rd, 2009
Becky Blair – Exhibition images
- Pool side, acrylic on canvas, 400 x 600mm, £835
- Ladies, acrylic on canvas, 400 x 400mm, £620
- Shy donkey, acrylic on canvas, 800 x 1100 mm, £2895
- Loving you, acrylic on canvas, 400 x 400 mm, £620
- Out of sight, acrylic on canvas, 300 x 300mm, £420
- The Best Game, acrylic on canvas, 300 x 300mm, £420
- Chillin' out, acrylic on canvas, 300 x 300mm, £420
- Starlight Mule, acrylic on canvas, 900 x 900mm, £2690
- Blazing skies, acrylic on canvas, 750 x 1800mm, £3685
- Butch, acrylic on canvas, 300 x 300mm, £420
- Beach volley, acrylic on canvas, 300 x 500mm, £620
- Night Swimmer, acrylic on canvas, 400 x 600mm, £835
- Little tree, acrylic on canvas, 300 x 300 mm, £425
- Morning dip, limited edition giclee print, 370x 300mm, £70.00
- In the darkest hour, limited edition giclee print, 300x300mm, £60.00
- Under the Frangipani tree, limited edition giclee print, 250x200mm, £54.00
- Lost in thought, limited edition giclee print, 300 x 300 mm, £95.00
- Sandy tree, limited edition giclee print, 300x300 mm, £72.00
- Tin Whistle, limited edition giclee print, 220 x 180 mm, £54.00
For this year’s Brighton Fringe Festival exhibiton, Castor and Pollux have shown local artist Becky Blair. Her giclee and screen prints have always been popular here, and we were very excited about the canvases which have joined them in the gallery. Always bright and colourful, Becky’s exhibition is the best way to start the Spring. ay paintings we haven’t sold are going to Australia for her next exhibition there. If you see a painting here, that is no longer is the gallery, we still may be able to get it for you. Just get in touch.
‘None of my paintings are planned. They appear organically through a web of under-painting. Lacy pools of watery paint, applied layer upon layer, provide the groundwork for my landscapes and people to appear. I aspire to imagery that’s fleeting and momentary and has the potential to be poignant. To retain some mystery, and have gaps for the viewer to explore with their own imagination.‘
Becky’s paintings are now being shown in Australia and so are no longer at the gallery. If you are interested in any, please get in touch as we can fine out if they are still available.
January 25th, 2009
Screen prints from Al Heighton
- *NEW* Tandem girl, limited edition screen print, 580 x 420 mm, £120
- Tea flirt, screen print, 297 x 420 mm, £72.00
- Flower day, screen print, 297 x 420 mm, £72.00
- Bird & some pop, screen print, 297x 420 mm, £72.00
- Bird & some pop, screen print, 297x 420 mm, £72.00
- North findings, screen print, 297 x 420 mm, £72.00
- New heights, screen print, 210 x 297 mm, £40
- Run from, screen print, 297 x 420 mm, £72
- Love boat, screen print, 210 x 297 mm, £40
- Love start, screen print, 297 x 210 mm, £40
- On top form, screen print, 210 x 297mm, £40
- How did it come to this?, screen print, 210 x 297 mm, £40
- Brew race '88, screen print, 297 x 420 mm, £72
- The Pin-up, screen print, 210 x 297 mm, £40
- Pop cad, screen print, 297 x 420 mm, £72
- Captain's love, screen print, 297 x 420 mm, £72
- Paper ellie, screen print, 420 x 297 mm, £72
- Here comes, screen print, 297 x 420 mm, £72
- We continue, screen print, 297 x 420 mm, £72
- Captain Pop, screen print, 297 x 420 mm, £72
New arrival to Castor and Pollux, Doncaster based Al Heighton, has sent us some of his bold prints.
We showed them as a Valentines exhibition earlier this year, here on the beach.
Al currently teaches in Salford, as well as busily working for an impressive client list that includes The Arctic Monkeys, The Guardian, Creative Review and Dazed & Confused.
We add new prints as they arrive. Get in touch if you would like to know more, or check out Al’s blog http://alheighton.blogspot.com/
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- Posted by April
October 13th, 2008
Rob Ryan – Paper cuts and prints
13 September – 20 October 2008
Swirling, intricate bells, birds, trees and stars fill the prints and paper cuts of silhouetted lovers surrounded by floating poetry. Rob Ryan shares his romantic thoughts with us at Castor and Pollux with an exhibition of screen prints, printed tiles and paper cuts. ‘My work operates on an openly emotional level, and it’s quite sentimental, which I don’t think is a bad thing.’You may not have visited Ryantown before, but you may recognise the work of Mister Rob through his many creative collaborations with Vogue, Paul Smith and Liberty. Here are tales and poems to rival the darkest of Grimm’s fairy-tales ‘The actual germ of an idea is just a moment of thinking, maybe that’s how things are, or how they should be, or how I want them to be.’
Rob Ryan’s world is filled with dark as well as light, where love, hate, loss, pain, fear and death are to be found. All of which are very beautiful. The simple and straightforward subjects of Rob Ryan’s work are in marked contrast to the deceptively sophisticated manner in which they are made; painstakingly hand-cut with the smallest scalpels from the most delicate of papers.
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